Selected Non-Fiction
‘Canine Club,’ Good Weekend, December 2023 (link)
’Collaboration with Ghosts,’ The Victorian Writer, June 2023 (link)
‘Holy Water / Heart Vapours,’ Cordite, February 2023 (link)
‘Identification and Desire,’ Overlapping Writing, May 2021 (link)
‘Digital Prophecies,’ New Rules, January 2021 (link)
‘Queering Girls’ Friendships: Beyond the Euphemisms,’ Archer, September 2020 (link)
‘Crying at the Digital Museum,’ Subspace, September 2020 (link)
‘Pixie Colman-Smith, The Hermit,’ Lucy Writers’ Project, July 2020 (link)
‘Protecting Edges,’ Reckoning, May 2020 (link)
‘What I’m Reading,’ Meanjin, March 2020 (link)
‘Two Tides,’ Reckoning, January 2020 (link)
‘December 21,’ Essay Daily, January 2020 (link)
‘Wilderness in Pixels,’ The Lifted Brow, December 2019 (link)
‘Marguerite Duras at the Tepid Baths,’ Landfall November 2019 (link to purchase)
*winner of the AAWP Creative Nonfiction Award
‘Why Not,’ I’ll Show You Mine, October 2019 (link to PDF)
‘June 21,’ Essay Daily, June 2018 (link)
'Like An X-Ray,' 10 stories: writing about architecture, February 2018 (link)
*winner of the Warren Trust Award for Architectural Writing
'The Resonance of Ruins and the Question of History,' Journal of Art Historiography, December 2017 (link)
'American Dreams,' 10 stories: writing about architecture, February 2017 (link to purchase)
'Architecture and Islands,' Inside/Out, June 2016 (link)
'Endless Sejima,' Inside/Out, January 2016 (link)
'Waiheke Island,' The Island Review, April 2015 (link)
'Cambodian Dancers, Auguste Rodin, and the Imperial Imagination,' The Appendix, December 2014 (link)
'At the Festival of Love,' King's Review, August 2014 (link)
'"Time Passes": The Grave of Samuel and Suzanne Beckett,' Mausolus, Summer 2014 (link)
'The Politics of Hidden Images: Display and the Gurlitt Collection,' King's Review, online in January 2014 and printed in the Spring 2014 issue (link)
'The Medieval and Postmodern Fens: Chatteris to Cambridge,' Bus Pass Britain Rides Again, 2014 (link to purchase)
'Oceanliner Posters,' Print Quarterly, Vol. 30, No. 1, Spring 2013 (subscription only)
As Paris City Correspondent for Untapped Cities, December 2012 to July 2013:
'A Tour of the Past through Paris's Period Rooms' (link)
'The Musée d'Ennery: Treasures from Asia in a Second Empire Setting' (link)
'The Jardin d'Agronomie Tropicale: Ruins of France's Colonial Past' (link)
As Arts Columnist for NZ News UK, January to September 2012:
'Vogue New Zealand, the British Magazine's Lesser-Known Sibling' (link)
'Christchurch Cathedral and the City's British Past' (link)
'Amyas Connell: A New Zealand Architect's Influence on the UK' (link)
'Len Lye: New Zealand's Most International Artist?' (link)
'New Zealand Writer Wins Commonwealth Short Story Prize' (link)
Selected Fiction
‘Lilith in Isolation,’ Tell Us Who We Were Before Life Made Us, July 2021 (link to purchase)
‘The Female Gaze,’ Wyndham Writing Awards Anthology, November 2019 (link)
‘Cultural Capital,’ Antithesis Journal, Volume 29, 2019 (link)
'Light Currents,' Headland, Summer 2015 (link to purchase)
'How much longer will we be on this page?' Litro NY, June 2015 (link)
'Ruins,' Pyramid Schemes: A Collective Cityscape, 2013 (link to purchase)
I've also written about cultural politics for Mudslinger, blogged about art and architecture for AngloINFO Paris, reviewed literary magazines for The Review Review, chronicled Cambridge life on Whisky & Biscuits, provided overviews of artists' work for The Art Story and contributed sections on art and events to the Welcome To... guidebook series.